成器之道——先秦工艺造物思想研究

It will facilitate re-understanding with fresh ken of ancient design culture, thus introduce a history dimension to reflection upon present industry design and make a bridge between the ancient tradition and future development of design in China.

The preface gives a brief account of the reflection base for the present study. Is there anything concealed in ancient handicrafts still thinking-provoking? Can traditional design principles and ideas still shed new light on contemporary design? These questions are left unanswered here, which we might find the answers or some clues through the following study.

Prior to the main context, an explication is made about the subject and treatment. It shows that the following study will be unfolded as several special themes upon pre-Ch’in ware-making lessons. Those themes are drawn from the coverage of the related pre-Ch’in literature in three levers, that is, the general situation of pre-Ch’in ware-making activity, the practical design experience and principles implied in it, and the ideological reflection upon ware-making and design from pre-Ch’in thinkers. As for the pre-Ch’in literature, there mainly refers to two kinds of works, one is Kao-Gong-Ji, the sole craft monograph of pre-Ch

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