The
second chapter focuses upon the evolvement of handicraft during the period from Xi-Chou
to Dong-Chou so as to provide an overall background for the
following discussion. Here we draw two main conclusions as following. On the one
hand, the role of design concealed in ware-making activity is manifested as ware
patterns fluctuate with the change of social actuality. On the other hand, pre-Ch’in
intellectual circle is concerned with ideal principles of ware-making activity
as it has erected more and more obvious effects upon society. In particularly,
two typical phenomena are selected out to analyze and explain. This serves to
show that design awareness of that period is meant to seek effective resolution
to the problems arisen from contradiction between external reality and
ware-making tradition and from the conflict among various psychological
intendances. It is made clear also that the basic logic underlying the
problem-resolution process is just what constitutes the practical design
experience.
Chapter 3 is an approach to Kao-Gong-Ji in terms of design experience and principles. Generalization is made here of
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