design principles in pattern,
structure, ornament and material respectively according to the true records of
Kao-Gong-Ji.
Take the case of structure design as an example, general conclusions are
reached as following: 1. Most ware components are functional ones rather than
ornaments, which well meet the pre-Ch’in concept that wares be made on purpose
of utilization; 2. Besides function, endurance is sought for as well, which is
rooted in the widespread economy awareness of pre-Ch’in Days; 3. Structure
design is also characterized by such a basic logic of problem-resolution, that
is, drawing upon various xdyailable materials and constructing techniques to meet
predetermined requirements, which somewhat remains true to modern design; 4.
With few ornamental attachments, the emphasis of formal design is laid upon
making aesthetic treatment to functional components.
With
an attempt to survey the general understanding of and essential attitude towards
ware-making activity, there gives an interpretation of the concepts of Zhi and
Qiao (creativity and experiment, or thinking and making in ware-making
activities) wrapped in two contexts in chapter 4. One is the general remark of Kao-Gong-Ji,
the other including several quotations from the book of Chou-Yi about the
idea of Guan-Xiang-Zhi-Qi (Yi-image-observing as the origin of ware-making ).
Take t
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