音乐与其表现的世界——对音乐音响与其表现对象之间关系的心理学与美学研究

ond any kind of sensible objects in colorful world of music arts. The idea of auditory perfection of music and rich experiences of emotional form activities constitute the spiritual content of music.

Based on the relative rules in synesthesia, the dissertation analyses the effect in music expression caused by the association and the music expression in the sense of “emotional objects” “visual objects” and “philosophic bent or dramatic events”. It also analyses the process and conditions of emotional form, emotion and feeling in music. This analysis pinpoints the importance of “emotional form” in music expression. The channels obtainable in music expression as targeted in the four visual phenomena of image picture, dynamic picture, scenic picture and figure picture are fully discussed. And the role of “affection” is put foreground the base, process and the final completion by which music can express philosophic and dramatic bent are also discussed in the paper.

The correlativity in synesthesia also provides us with clues to examine the process of music expression from both direction-music creation and appreciation. The questions such as how object enters music, d

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